PWSA Ringside, Professional Wrestling Studies Association, Page 21

Breaking the Fourth Wall in Reverse

January 31, 2020June 19, 2017 by prowrestlingstudies_21lb3c

Without a doubt, one of the proudest moments of my life occurred on January 29, 2013, when I made my professional wrestling debut in a tag-team match in a show co-hosted by American Pro Wrestling, an upstate South Carolina based promotion, and Wofford College, the institution that made me a tenured professor the year before. I wrestled that night as Mr. Canada, a masked, French-Canadian heel; my partner was Ben Wright, whom APW had named its 2012 “Heel of the Year.” We lost our match in fantastic fashion: after I “accidentally” broke my hockey stick across my partner’s chest, he was then demolished through a ringside table, while I was shamefully de-masked – and then powerslammed, superfly splashed, and pinned.

I was 39 when Mr. Canada made his debut – not exactly in the springtime of my youth – and I often get asked how in the world I ended up in the wrestling ring and why I thought it would be a good idea to do so. After all, the career trajectory of graduate school to tenure track job to tenure to professional wrestler is not exactly the most common one in the world of academia.

I’ll begin this blog entry answering these how and why questions, and then I’ll move to the questions I pondered for months after my 2013 wrestling debut: what new lessons about pro wrestling did I learn when I moved from careful observer of professional wrestling to actual professional wrestler – when I broke the fourth wall in reverse (so to speak)? Did this experience give me new insights into a cultural form that I previously appreciated only as a fan and a scholar?

Before They Were Superstars: CM Punk and Samoa Joe

June 16, 2017 by prowrestlingstudies_21lb3c

One would become the “Best in the World” and the other the “Samoan Submission Machine,” but before all of their nicknames and accolades, they were simply CM Punk and Samoa Joe. In 2004 they had a trilogy of matches that would make them legends and help make Ring of Honor one of the best independent wrestling promotions in the world.

Samoa Joe was in the midst of a dominating run as the world champ of ROH that spanned most of 2003 and showed no signs of stopping in 2004. He had turned away such challengers as Christopher Daniels, Jay & Mark Briscoe, Homicide, AJ Styles, and many others.

To be honest, Ring of Honor seemed to be running out of challengers for Joe. This is where CM Punk comes in. He and Joe had a non-title match on August 16th where both men were in pretty rough shape. The match ended with Joe beating Punk. Punk had yet to have a world title shot in his time in ROH and in Dayton, OH on June 12th, 2004, at World Title Classic, that would change. Punk and Joe had a match that ended in a 60 minute draw.

Before They Were Superstars: Seth Rollins and Kevin Owens

June 1, 2017 by prowrestlingstudies_21lb3c

Hello, and welcome to the first installment of Before They Were Superstars, where I’ll be discussing the matches and angles that current WWE superstars were involved in before they debuted in the WWE. Many of today’s current WWE superstars were not always in the WWE. A lot of them started on the independent wrestling circuit where they honed their craft in front of smaller crowds.

023_RAW_01022017jg_0280--8f601eb83966ebb19d44c684db1cc5d6 — Image credits: http://www.wwe.com/shows/raw/2017-01-02/gallery/seth-rollins-vs-kevin-owens-photos#fid-40076253

They’re currently known as Kevin Owens and Seth Rollins, but they once went by Kevin Steen and Tyler Black respectively. Before they battled each other for the WWE Universal Championship, they were both affiliated with Ring of Honor (ROH). Back in 2010, they were both involved in separate angles in ROH, and on one night in July, they crossed paths in Chicago Ridge, IL.

The Pop Culture Lens on Prowrestling

January 31, 2020May 27, 2017 by prowrestlingstudies_21lb3c

The Pop Culture Lens is co-hosted by PWSA contributors CarrieLynn Reinhard and Christopher Olson. The podcast looks as past pop culture texts using different theoretical lens to discuss the text and its relevance. The podcast tries to translate academic concepts and theories into language everyone can understand and appreciate.

An Autoethnography of AAW

January 31, 2020May 27, 2017 by prowrestlingstudies_21lb3c

Two men enter the ring — the “squared circle” — muscles tense, skin already glistening with sweat. They circle the ring, calling out to their fans in the crowd to let their admiration roar and shake the building. The room still reverberates with the booming baselines of their entrance music, leaving the audiences’ ears to ring for the next day or so. The crowd responds in a frenzy, engaging in dueling chants and trying to outshout the other side as their wrestlers finally step into the middle of the ring to meet.

They size each other up, stare one another down, and give the sense that they do not like one another. Even if they show the sign of respect and shake hands, everything leading up to that handshake and following it is thick with tension and the desire and the drive to overcome the other and win. They may be friends outside of the ring — and that friendship may be completely legit and not just kayfabe (i.e. performance) — but it doesn’t matter. Each man enters the ring to win.

Thus began every single match at the AAW Windy City Classic XI.

This was my first live event. As I have discussed elsewhere on this blog, I am new to this whole professional wrestling phenomenon. In terms of time, I have only been interested in professional wrestling for two years. The 2015 Windy City Classic XI was my first live show experience.

Defining Convergent Wrestling

January 31, 2020May 27, 2017 by prowrestlingstudies_21lb3c

Professional wrestling has been criticized for its emphasis on the fiction of its entertainment rather than the reality of its sport. My partner, Christopher Olson (Seems Obvious to Me), and I argue that professional wrestling functions as a convergent media product, representing a vital text for examining the media landscape of the 21st century.

The true nature of professional wrestling is in how it combines fiction with reality; it exists at the intersection of different identities, realities and conventions, which can seem oppositional to one another. When examined through the convergence of different identities, realities, and conventions, the true dialectical nature of professional wrestling emerges. Professional wrestling succeeds because of its ability to converge these different factors into a coherent post-modern and polysemic text with which an international polyvalent audience can identify and engage. This post will deconstruct this nature of professional wrestling by considering the various factors that are converging to construct the texts, practices and experiences of sports entertainment.

Smarks and Convergent Wrestling

January 31, 2020May 27, 2017 by prowrestlingstudies_21lb3c

As part of the project on understanding professional wrestling through the theoretical lens of convergence (i.e. convergent wrestling), I recently wrote out an explanation for how Christopher Olson (Seems Obvious to Me) and I see this concept of convergence being able to describe various aspects of professional wrestling.

Now, being that we are academics, one way we advance our scholarship and our knowledge is by attending and presenting at academic conferences. In order to test out this idea of “convergent wrestling,” we organized two panels that would bring together different researchers whose work on professional wrestling could be considered as using this theoretical lens. We presented the first such panel at the 2015 Central States Communication Association conference. At this panel, I presented this argument for seeing professional wrestling as an example of various convergences, as presented earlier on this blog. Along with my introduction to the idea, several researchers presented their analyses of the WWE (World Wrestling Entertainment), its fans, and its business practices. With their permission, here are these presentations.

The Co-Construction of Kayfabe

January 31, 2020May 27, 2017 by prowrestlingstudies_21lb3c

This blog post expands on the ideas of the co-construction of kayfabe, an idea I presented at the Popular Culture Association 2016 conference in Seattle. For this post, I reflect on a live wrestling event I attended in an attempt to define what my partner, Christopher Olson, and I mean by “convergent wrestling.”

The entire presentation can be heard on Soundcloud, but I will sum up the idea here to address a recent experience with a live wrestling event: AAW‘s “Take No Prisoners” on May 6th, 2016.

[soundcloud url=”https://api.soundcloud.com/tracks/263291117″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

The Communities of AAW

January 31, 2020May 27, 2017 by prowrestlingstudies_21lb3c

It takes a community to build a wrestling promotion.

We have been going to AAW shows now for over a year. We have been to see them in the various venues they use in Chicago — Logan Square Auditorium, 115 Bourbon Street, the Berwyn Eagles Club, and Joe’s Live at Rosemont. We have watched some video clips of matches that go back throughout the 13 year history of the promotion.

What amazes me is how often I see the same faces across these different venues and spanning that stretch of time.

As part of my ongoing series reflecting on my time with professional wrestling, seeing the loyalty and dedication of some AAW fans got me thinking about the role of community in this promotion. With any fandom, community is immensely important. One of the reasons people self-identify as fans is because they want to bond with like-minded individuals over the passions that they have. Seeing your passion reflected back by another helps to validate your passion and worldview. And knowing that you share the same passion helps you to geek out or squee (pick your term) over just how worthy that this is to geek out or squee over.

The Fourth Wall and Professional Wrestling

January 31, 2020May 19, 2017 by prowrestlingstudies_21lb3c

In this brief essay, I want to share an idea I have had about how the concept of audience interaction helps to define sports entertainment as existing at the intersection of sports and entertainment. Audience interaction with content (what I have written about here as content interactivity) is the idea that the audience member (either individually or as an aggregate) can in some way engage with the text to the extent that they can influence the progression of the text’s content.

A video game like The Legend of Zelda, for example, responds to the individual’s decisions and actions to determine how the game unfolds for the player. A call-in contest reality show like American Idol responds to the aggregate of the masses voting for who succeeds and who doesn’t. If we look at professional wrestling from this perspective of audience interactivity, then I think we can notice something happening that helps define what it is while also demonstrating a convergence of identities as the lines between audience and producer blur.